![]() Here is an example of the result of both 4K and HD recording, note that the LUT and burn-ins are applied to the HD material, while the 4K main recording remains in V-Log with no burn-ins. Then I've added some burn-in text to the bottom including camera index, reel count, and timecode info. ![]() You can then enable a Frame Mark and burn in text.Īs you can see in the picture above, I set the frame mark to 2:35:1, which at 50% will gray out anything outside of that area in my frame. To do this go back to the System menu and then scroll up to Dailies. This will add lines and text to each recording that can help the post process. Lastly, let's add some additional burn-ins to our HD and Proxy recordings. The proxy recording always get the same color as the sub recording. This gives us Log on the main and a baked-in Rec709 LUT on the sub. Under the Color menu, set the main recording to V-Log, and the sub recording to V-709. Now let's set up the color options for each recording. You cannot select ProRes as a sub recording option at this time, only AVC-Intra and an H.264 encoded MOV proxy. In the VariCam LT, you can only enable proxy recording here. I'll set the main recording to 4K 422, and the sub recording to 2K422 /Pxy this enables both 2K recording, as well as a proxy recording. ![]() The next step is to set up your main and sub recordings. To enable this, go to the Menu → Rec Settings pages, and set File Name Style to CINE. So for camera index A, reel 1, clip 1 the file would look something like A001C001_.mxf. This gives your files the standard naming convention found in ARRI, Sony, and RED cameras, which is camera index, reel count, and clip number. The first step is to set up the camera for recording with simple 'Cine' style file names. I'll also outline a basic finishing workflow with DaVinci Resolve and 4K V-log content. Below is an outline of how to set up both cameras for action, and steps for importing footage into Avid, Final Cut Pro X, and Premiere. This greatly simplifies the whole process and truly makes these cameras unique and powerful. You don't want people to rip off your work, we shouldn't be ripping off theirs.In the latest firmware updates for both of these cameras, Panasonic has greatly improved the file naming conventions, allowing both the main (master) recording and sub (HD/Proxy) recording to have the same file name. Sunday Sunday Job/Career Advice ( for the past month) Are you new to editing?ĭiscussion or advocacy of piracy is prohibited. Thursday Tip Thursday ( for the past month) Wednesday Assistant Editor Wednesdays ( for the past month) Monday: Megathread Mondays [ for the past month) ![]() To get your page listed on the Wiki index page just drop a note in the Mod Mail and we'll get to you as quickly as possible. Please feel free to add and edit pages, and list requests in this thread. We prefer public domain or Creative Commons.
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